In the shocking and hilarious documentary ORGASM INC., filmmaker Liz Canner takes a job editing erotic videos for a drug trial for a pharmaceutical company. Her employer is developing what they hope will be the first Viagra drug for women that wins FDA approval to treat a new disease: Female Sexual Dysfunction (FSD). Liz gains permission to film the company for her own documentary. Initially, she plans to create a movie about science and pleasure but she soon begins to suspect that her employer, along with a cadre of other medical companies, might be trying to take advantage of women (and potentially endanger their health) in pursuit of billion dollar profits. ORGASM INC. is a powerful look inside the medical industry and the marketing campaigns that are literally and figuratively reshaping our everyday lives around health, illness, desire - and that ultimate moment: orgasm. Upbeat, engaging, enlightening, and provocative, ORGASM INC. will change the way you think about sex.

In Kahnawake, the hometown of Mohawk director Tracey Deer (Mohawk Girls), there are two unspoken rules: Don't marry a non-Native, and never, ever have a child with a non-Native. In a community where tribal membership rests on the equivocal measurement of blood quantum (literally the measurement of blood "purity"), following one's heart requires risking one's Mohawk status, as well as one's family and community.

With warmth, intelligence and humor, Deer turns her camera on her own family and the lives of four proud Mohawk women deeply impacted by racism and prejudice rooted in Canada's highly discriminatory 1876 Indian Act, and exacerbated by lingering preconceptions about blood quantum that have left a divisive legacy in her community. Club Native raises critical questions about belonging and identity, the heartbreak of "marrying out" of the Mohawk Nation, and the unjust patriarchal laws that disenfranchise Native women. It is a candid and engrossing work about the pain, confusion, and frustration suffered by many First Nations women, but also a testament to the triumph of love and the resilience of the human spirit.

For Spaniards-and for the world-nothing has expressed their country's traditionally rigid gender roles more powerfully than the image of the male matador. So sacred was the bullfighter's masculinity to Spanish identity that a 1908 law barred women from the sport.

Visually stunning and beautifully crafted, ELLA ES EL MATADOR (She is the Matador) reveals the surprising history of the women who made such a law necessary, and offers fascinating profiles of two female matadors currently in the arena, the acclaimed Maripaz Vega and neophyte Eva Florencia. These women are gender pioneers by necessity, confronting both bull and social code. But what emerges through this mesmerizing film is their truest motivation-a sheer passion for bullfighting, in the pursuit of a dream.

The film You and Me is the story of an old woman and a female college student who gradually develop an emotional bond as they spend more time together. From the first day that Xiao Ma moves into a small room owned by the old woman, the unlikely couple finds each other intolerable and stubbornly selfish. As the two feisty women continue to insult each other, they also develop a strange closeness when the spring sunshine gradually melts away the cold winter.

Through intimate interviews, art, and rarely seen archival film and video footage, !Women Art Revolution reveals how the Feminist Art Movement fused free speech and politics into an art that radically transformed the art and culture of our times. For over forty years, Director Lynn Hershman-Lesson has collected hundreds of hours of interviews with visionary artists, historians, curators and critics who shaped the beliefs and values of the Feminist Art Movement and reveal previously undocumented strategies used to politicize female artists and integrate women into art structures. !Women Art Revolution elaborates the relationship of the Feminist Art Movement to the 1960s anti-war and civil rights movements and explains how historical events, such as the all-male protest exhibition against the invasion of Cambodia, sparked the first of many feminist actions against major cultural institutions. The film details major developments in women's art of the 1970s, including the first feminist art education programs, political organizations and protests, alternative art spaces such as the A.I.R. Gallery and Franklin Furnace in New York and the Los Angeles Women's Building, publications such as Chrysalis and Heresies, and landmark exhibitions, performances, and installations of public art that changed the entire direction of art.

The Price of Sex is a feature-length documentary about young Eastern European women who've been drawn into a netherworld of sex trafficking and abuse. Intimate, harrowing and revealing, it is a story told by the young women who were supposed to be silenced by shame, fear and violence. Photojournalist Mimi Chakarova, who grew up in Bulgaria, takes us on a personal investigative journey, exposing the shadowy world of sex trafficking from Eastern Europe to the Middle East and Western Europe. Filming undercover and gaining extraordinary access, Chakarova illuminates how even though some women escape to tell their stories, sex trafficking thrives.

Does each gesture really make a difference? Can music and dance be weapons of peace? In 2003, on the eve of the Iraq war, director Iara Lee embarked on a journey to better understand a world increasingly embroiled in conflict and, as she saw it, heading for self-destruction. After several years, travelling over five continents, Iara encountered growing numbers of people who committed their lives to promoting change. This is their story. From IRAN, where graffiti and rap became tools in fighting government repression, to BURMA, where monks acting in the tradition of Gandhi take on a dictatorship, moving on to BRAZIL, where musicians reach out to slum kids and transform guns into guitars, and ending in PALESTINIAN refugee camps in LEBANON, where photography, music, and film have given a voice to those rarely heard, CULTURES OF RESISTANCE explores how art and creativity can be ammunition in the battle for peace and justice. Featuring: Medellín poets for peace, Capoeira masters from Brazil, Niger Delta militants, Iranian graffiti artists, women's movement leaders in Rwanda, Lebanon's refugee filmmakers, U.S. political pranksters, indigenous Kayapo activists from the Xingu River, Israeli dissidents, hip-hop artists from Palestine, and many more...

Like drawing back a curtain to let bright light stream in, Miss Representation uncovers a glaring reality we live with every day but fail to see. Directed by Jennifer Siebel Newsom, the film explores how mainstream media contributes to the under-representation of women in influential positions in America and challenges the media's limiting and often disparaging portrayals of women, which make it difficult for the average girl to see herself as powerful.

The Hurt Locker is a riveting, suspenseful portrait of the courage under fire of the military's unrecognized heroes: the technicians of a bomb squad who volunteer to challenge the odds and save lives doing one of the world's most dangerous jobs. Three members of the Army's elite Explosive Ordnance Disposal (EOD) squad battle insurgents and one another as they search for and disarm a wave of roadside bombs on the streets of Baghdad-in order to try and make the city a safer place for Iraqis and Americans alike. Their mission is clear-protect and save-but it's anything but easy, as the margin of error when defusing a war-zone bomb is zero. This thrilling and heart-pounding look at the psychology of bomb technicians and the effects of risk and danger on the human psyche is a fictional tale inspired by real events by journalists and screenwriter Mark Boal, who was embedded with a special bomb unit in Iraq. In Iraq, it is Soldier vernacular to speak of explosions as sending you to "the hurt locker." 131 minutes.