work and research: faculty work

Joan Jonas, Professor

Group Installations and Exhibitions

2006
"After the Act" The (Re)Presentation of Performance Art, Museum Moderner Kunst, Vienna

2004
Videodreams, Kunsthaus Graz, Graz, Austria

2003
Mirror Tenses, University Gallery, University of Massachusetts, Amherst, Massachusetts.

Gloria, Museum of Art, Rhode Island School of Design, Providence, Rhode Island

Video Acts Single Channel Works from the Collections of Pamela and Richard Kramlich and New Art Trust, P.S. 1 contemporary Art Center, Long Island City, New York, (November 10, 2002-April, 2003, curators: Klaus Biesenbach with Barbara London and Christopher Eamon, (videos).

X-Screen, The Museum of Modern Art, Vienna, Austria, Group Show

2002
Lines in the Sand, installation and performance, Documenta 11, Kassel, Germany, curator: Okwui Enwezor.

Gloria, White Columns, New York.

Lines in the Sand, Great Theater of the World, Taipei Biennial, Taiwan, curators: Bartomeu Mar í, and Chia Chi Jason Wang, (installation).

Aquaria, The Fascinating World of Man and Water, Landesgalerie am Oberösterreichischen Landesmuseum, Linz, (February 7-April 7, 2002) and Kunstsammlungen Chemnitz, (May 5 –June 30, 2002), curator: Barbara Wally, (video: Woman in the Well).

2001
Into the Light, Projection / Interaction: The Projected and Interactive Image in American Art, 1964–1978, , Whitney Museum of American Art, New York, installation of Mirage, (October 11, 2001–January 27, 2002), curator: Chrissie Iles.

2000
Century Cities, Tate Modern Bankside, London, England, curator: Donna De Salvo, (video).
Video/Performance: Open Ends, (November 5, 2000–January 30, 2001), Museum of Modern Art, New York, (video).

Escape. media_city seoul 2000, Seoul, Korea, curator: Barbara London, (video installation: Moving with No Pattern).

1999
Circa 1968, Museo de Arte Contemporânea, Fundacão de Serralves, Porto, Portugal.
The American Century: Art and Culture 1900-2000. Part II: 1950–2000, Whitney Museum of American Art, New York.

1998
Out of Actions: Between Performance & the Object, 1949-1979 Museum of Contemporary Art, Los Angeles, California, (tour: MAK-Österreichisches Museum für angewandte Kunst, Vienna, Austria; Museu d’Art Contemporani, Barcelona; Museum of Contemporary Art, Tokyo, Japan.)

1995
Reconsidering the Object of Art: 1965–1975, Museum of Contemporary Art, Los Angeles, California, curators: Ann Goldstein, Anne Rorimer, (video installation: Organic Honey).

Revolted by the thought of known places… Sweeney Astray, Biennial de Lyon, Lyon, France.

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